The viewer of the 360Ëš sees from the point of view of a drone, and is unable to affect what happens. The lead singer looks directly at the drone, singing "You can revolt", but the viewer is unable to do anything, and when the drone they inhabit is shot down they simply switch to the viewpoint of another drone. Finally the drone is shot down and the song - and the viewer's access to the world - is over.
The viewer is clearly meant to identify with the workers revolting against the drones and heavily armoured soldiers. Positioning the viewer visually as a drone works well cinematically with the constraints of a 360Ëš video meant to be viewed by slotting a smartphone into a cardboard VR viewer, and also creates a duality that connects the message of revolting against machines that oppress us to our actual world - at the same time as the fascination with technology that is evident in the VR experimental music video itself speaks against the dystopian view of technology. Â