Displaying 191 - 200 of 500
| Title | ID Sort ascending | Year | Country | Genre | Genre ID | Technologies referenced | Technologies referenced id | Technologies used | Technologies used id | Topic | Topic id | Sentiment | Sentiment id | Situation machine vision is used in | Situation machine vision is used in ID | Characters | Characters ID |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Black Panther (2018 movie) | 1722 | United States | Narrative, Movie | 20001, 2000130 | Body scans, Holograms | 200090, 20001339 | Conflict, Family, Inequality, Physical violence, Race, Utopian | 200055, 2000167, 200089, 200056, 2000166, 200071 | Empowering, Helpful, Prosocial, Protective, Wondrous | 2000318 , 200098 , 2000319 , 2000317 , 2000325 | Black Panther (Holographic communication with kimoyo beads), Black Panther (Fake holographic forests), Black Panther (Remote piloting), Black Panther (Scanning Ross's spine) | 1721, 1728, 1729, 1731 | T'Chaka, T'Challa, Okoye, Shuri, Agent Everett Ross | 1720, 1725, 1726, 1727, 1730 | |||
| The Test | 1717 | Canada | Narrative, Novel | 20001, 2000133 | Virtual reality | 2000147 | Conflict, Crime, Dystopian, Family, Grief, Inequality, Physical violence | 200055, 200057, 200070, 2000167, 2000161, 200089, 200056 | Dangerous, Misleading | 2000129 , 2000213 | The Test (VR simulation) | 1718 | Idir Jalil (The Test) | 1716 | |||
| Lagoon | 1712 | Nigeria, United States | Narrative, Novel | 20001, 2000133 | Cameraphone | 2000154 | Animals, City, Economy, Nature | 2000200, 2000311, 2000172, 2000175 | Empowering | 2000318 | Lagoon (President is broadcast to all screens) | 1714 | Woman in the street (Lagoon) | 1713 | |||
| HoloDecon | 1709 | Mexico | Art | 20002 | Cameraphone | 2000204 | Cyborgs, Hacking | 2000203, 2000160 | Alien, Subversive | 200096 , 2000210 | HoloDecon (hacking cameraphones for alternative perceptions) | 1991 | |||||
| InvisÃveis | 1706 | Brazil, United States, Spain | Art | 20002 | Augmented reality, Cameraphone | 200074, 2000154 | City, Empathy, Identity, Playful | 2000311, 2000174, 2000169, 2000170 | Empowering, Exciting | 2000318 , 200097 | InvisÃveis (revealing invisible figures) | 1985 | |||||
| Iceberg | 1704 | Uruguay | Art, Installation art | 20002, 2000138 | AI, Machine learning | 2000152, 200012 | Satellite images | 200078 | AI, Climate Change, Conflict, Consciousness, Nature | 2000168, 200069, 200055, 2000171, 2000175 | Dangerous, Wondrous | 2000129 , 2000325 | Iceberg (expanding to the unconscious ) | 1976 | |||
| Spaces of Failure | 1702 | Brazil, United Kingdom | Art, Photograph/print/painting | 20002, 2000157 | Cameraphone | 2000154 | Automation, Hacking | 2000173, 2000160 | Flawed | 2000208 | Spaces of Failure (Purposely failing to make a panorama image) | 1974 | |||||
| Recoding Art | 1700 | Brazil, Netherlands, Denmark | Art, Video art | 20002, 2000139 | Machine learning | 200012 | Object recognition | 200015 | AI, Labour | 2000168, 2000179 | Alien, Flawed, Subversive | 200096 , 2000208 , 2000210 | Recoding Art (Classifying Art) | 1967 | Mechanical Turkers (Recoding Art) | 1966 | |
| Outra 33 Bienal de São Paulo | 1682 | Brazil | Art | 20002 | Machine learning, Motion tracking, Object recognition | 200012, 2000180, 200015 | AI, Identity, Inequality, Labour | 2000168, 2000169, 200089, 2000179 | Alien, Flawed | 200096 , 2000208 | Outra 33 Bienal de São Paulo (AI analyzing the Biennial setup) | 1948 | Workers (Outra 33 Bienal de São Paulo) | 1947 | |||
| Pontos cegos / Blind spots | 1675 | Brazil | Art, Performance art, Installation art | 20002, 2000140, 2000138 | Surveillance cameras | 200080 | City, Hacking, Surveillance | 2000311, 2000160, 200052 | Pontos cegos / Blind spots (exposing surveillance cameras) | 2738 |