Displaying 1 - 10 of 500
Title Sort ascending | ID | Year | Country | Genre | Genre ID | Technologies referenced | Technologies referenced id | Technologies used | Technologies used id | Topic | Topic id | Sentiment | Sentiment id | Situation machine vision is used in | Situation machine vision is used in ID | Characters | Characters ID |
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Zanan Disruption | 3161 | United States, Iran | Art, Photograph/print/painting | 20002, 2000157 | Interactive panoramas | 2000155 | City, Gender, Identity | 2000311, 2000165, 2000169 | Empowering, Subversive | 2000318 , 2000210 | Zanan Disruption (placing statues) | 3162 | |||||
You•Who? Customised Cinema Installation | 510 | Ireland | Narrative, Movie | 20001, 2000130 | Facial recognition, Image generation | 20007, 200073 | Emotion recognition, Facial recognition, Image generation, Webcams | 200091, 20007, 200073, 2000153 | Dystopian, Free will, Identity | 200070, 2000163, 2000169 | Alien, Dangerous, Hostile, Intimate, Intrusive, Overwhelming | 200096 , 2000129 , 200099 , 2000100 , 2000209 , 2000188 | Who*You (Face replacement) | 509 | Replaced man | 1732 | |
Young Ones | 108 | United States | Narrative, Movie | 20001, 2000130 | Object recognition, Surveillance cameras | 200015, 200080 | Autonomous vehicles, Climate Change, Companionship, Conflict, Crime, Family, Grief, Romantic relationship | 2000201, 200069, 200050, 200055, 200057, 2000167, 2000161, 200048 | Helpful, Neutral | 200098 , 2000101 | Young Ones (Robot recording murder) | 263 | Ernest Holm, Flem Lever, Mary Holm, Jerome Holm | 259, 260, 261, 262 | |||
YHB Pocket Shield | 2047 | United States | Art | 20002 | Facial recognition | 20007 | Hacking, Playful, Surveillance | 2000160, 2000170, 200052 | Intrusive, Oppressive | 2000209 , 2000107 | YHB Pocket Shield (avoiding facial recognition at protests) | 2566 | |||||
Years and Years | 413 | United Kingdom | Narrative, TV series or episode | 20001, 2000131 | AI, Augmented reality, Drones, Filtering, Ocular implant, Virtual reality, Webcams | 2000152, 200074, 200079, 200013, 2000127, 2000147, 2000153 | Conflict, Dystopian, Family | 200055, 200070, 2000167 | Dangerous, Exciting, Flawed, Fun, Helpful, Intimate, Overwhelming | 2000129 , 200097 , 2000208 , 2000212 , 200098 , 2000100 , 2000188 | Years and Years (Bethany hiding behind filter), Years and Years (Failed optical implant), Years and years (Broadcast deepfake issue), Years and years (Webcam diagnosing Edith`s eye) | 412, 414, 488, 490 | Bethany Bisme-Lyons, Celeste Bisme-Lyons, Lizzie, Vivienne Rook, Edith Lyons, Daniel Lyons, Stephen Lyons | 411, 981, 419, 660, 489, 2720, 982 | |||
Yat Madit | 2144 | Uganda | Narrative, Short story | 20001, 2000134 | AI, Cameraphone, Emotion recognition, Surveillance cameras | 2000152, 2000154, 200091, 200080 | AI, Conflict, Family, Surveillance | 2000168, 200055, 2000167, 200052 | Helpful, Intrusive | 200098 , 2000209 | Yat Madit (Adak interpretes Amaros's expression) | 2140 | Amaro | 2141 | |||
X-Men: Days of Future Past | 2062 | United States | Narrative, Movie | 20001, 2000130 | Augmented reality, Biometrics, Body scans, Camera, Holograms, Surveillance cameras | 200074, 20009, 200090, 2000206, 20001339, 200080 | Identity, Inequality, War | 2000169, 200089, 200054 | Empowering, Hostile | 2000318 , 200099 | X-Men: Days of Future Past (Crowd records with analogue cameras), X-Men: Days of Future Past (Mystique shapeshifts to use finger scan), X-Men: Days of Future Past (Sentinels identify mutants), X-Men: Days of Future Past (Professor X uses the cerebro) | 2184, 2185, 2186, 2188 | Mystique, Sentinels (X-Men: Days of Future Past), Professor X, X-Men | 2181, 2183, 2187, 2818 | |||
X Degrees of Separation | 2250 | Germany | Art, Online art | 20002, 2000159 | Machine learning, Object recognition | 200012, 200015 | AI, Playful | 2000168, 2000170 | Exciting | 200097 | X Degrees of Separation (curating artworks) | 2251 | |||||
Wool | 2790 | United States | Narrative, Novel | 20001, 2000133 | Augmented reality, Filtering | 200074, 200013 | Climate Change, Dystopian | 200069, 200070 | Misleading, Oppressive | 2000213 , 2000107 | Wool (Watching outdoors on screens), Wool (Visor showing fake view) | 2793, 2795 | Holston | 2789 | |||
Why Him? | 417 | United States | Narrative, Movie | 20001, 2000130 | AI, Cameraphone, Facial recognition, Object recognition, Surveillance cameras | 2000152, 2000154, 20007, 200015, 200080 | Family, Romantic relationship | 2000167, 200048 | Alien, Exciting, Neutral | 200096 , 200097 , 2000101 | Why Him? (Stephanie scans her face) | 416 | Stephanie Flemming, The Flemming Family | 418, 804 |