Displaying 251 - 260 of 500
| Title Sort ascending | ID | Year | Country | Genre | Genre ID | Technologies referenced | Technologies referenced id | Technologies used | Technologies used id | Topic | Topic id | Sentiment | Sentiment id | Situation machine vision is used in | Situation machine vision is used in ID | Characters | Characters ID |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Little Eyes/Kentukis | 1196 | Spain | Narrative, Novel | 20001, 2000133 | UGV, Webcams | 2000947, 2000153 | Companionship | 200050 | Creepy, Empowering, Intimate, Prosocial, Protective | 2000327 , 2000318 , 2000100 , 2000319 , 2000317 | Little Eyes (Torturing Kentuki), Little Eyes (Kidnapping), Little Eyes (Disconnecting) | 1203, 1204, 1208 | Alina, Dweller of Alina's kentuki, Grigor, Nikolina, Andrea Farbe | 1201, 1202, 1205, 1206, 1207 | |||
| Little Brother | 173 | Canada, United States | Narrative, Novel | 20001, 2000133 | Biometrics, Drones, Facial recognition, Surveillance cameras | 20009, 200079, 20007, 200080 | Companionship, Conflict, Dystopian, Hacking, Surveillance | 200050, 200055, 200070, 2000160, 200052 | Dangerous, Exciting, Fun, Helpful, Intrusive, Oppressive, Subversive | 2000129 , 200097 , 2000212 , 200098 , 2000209 , 2000107 , 2000210 | Little Brother (Gait Recognition Cameras in Schools), Little Brother (Marcus looks for surveillance cameras) | 2867, 2869 | Marcus Yallow | 2868 | |||
| Lifeline | 1526 | Japan | Game | 20003 | Surveillance cameras | 200080 | Horror, Surveillance | 200061, 200052 | Helpful, Prosocial, Protective | 200098 , 2000319 , 2000317 | Lifeline (Security cameras) | 1527 | Rio, The Operator (Lifeline) | 1525, 2770 | |||
| Life: A User’s Manual | 1782 | Canada, Netherlands, Germany | Art, Video art, Performance art | 20002, 2000139, 2000140 | Surveillance cameras | 200080 | City, Hacking, Surveillance | 2000311, 2000160, 200052 | Intimate, Intrusive | 2000100 , 2000209 | Life: A User’s Manual (broadcasting CCTV footage) | 1783 | |||||
| Level of Confidence | 1576 | Mexico | Art | 20002 | Facial recognition | 20007 | AI, Conflict, Surveillance | 2000168, 200055, 200052 | Flawed, Helpful, Subversive | 2000208 , 200098 , 2000210 | Level of Confidence (matching faces) | 1651 | |||||
| Lessons on Leaving Your Body | 167 | Israel, United States | Art | 20002 | Drones | 200079 | Drones | 200079 | Free will, Nature | 2000163, 2000175 | Alien, Dangerous, Exciting, Flawed, Intimate | 200096 , 2000129 , 200097 , 2000208 , 2000100 | Lessons on Leaving Your Body (Drones) | 320 | "Jake Wells" | 319 | |
| Learning to See: Gloomy Sunday | 1494 | Turkey, United Kingdom | Art, Video art, Installation art | 20002, 2000139, 2000138 | Image generation, Machine learning | 200073, 200012 | AI, Consciousness, Nature, Playful | 2000168, 2000171, 2000175, 2000170 | Wondrous | 2000325 | Learning to See: Gloomy Sunday (Machine learns to see) | 1075 | |||||
| Lauren | 123 | United States | Art, Performance art | 20002, 2000140 | Surveillance cameras | 200080 | Companionship, Empathy, Labour, Surveillance | 200050, 2000174, 2000179, 200052 | Helpful, Intimate | 200098 , 2000100 | Lauren (Lauren replacing AI) | 446 | "Lauren McCarthy" | 445 | |||
| Lagoon | 1712 | Nigeria, United States | Narrative, Novel | 20001, 2000133 | Cameraphone | 2000154 | Animals, City, Economy, Nature | 2000200, 2000311, 2000172, 2000175 | Empowering | 2000318 | Lagoon (President is broadcast to all screens) | 1714 | Woman in the street (Lagoon) | 1713 | |||
| Lacework | 2124 | United States | Art, Video art | 20002, 2000139 | Machine learning | 200012 | Image generation, Machine learning | 200073, 200012 | AI, Labour | 2000168, 2000179 | Alien, Overwhelming, Wondrous | 200096 , 2000188 , 2000325 | Lacework (Traversing a machine learning dataset) | 2569 | Amazon Mechanical Turk worker (Lacework) | 2568 |