The Midnight Sky |
2576 |
|
United States |
Narrative, Movie |
20001, 2000130 |
Biometrics, Camera, Holograms, Satellite images |
20009, 2000206, 20001339, 200078 |
|
|
Companionship, Dystopian |
200050, 200070 |
Intimate, Prosocial |
2000100 , 2000319 |
The Midnight Sky (Mitchell plays holo-game), The Midnight Sky (Crew makes plan), The Midnight Sky (Mitchell relives breakfast with family) |
2573, 2574, 2575 |
Mitchell |
2572 |
The Matrix |
1953 |
|
United States |
Narrative, Movie |
20001, 2000130 |
AI, Biometrics, Body scans, Drones, Holograms, Surveillance cameras, Virtual reality |
2000152, 20009, 200090, 200079, 20001339, 200080, 2000147 |
|
|
AI, Consciousness, Dystopian, Free will, Hacking, Identity, Physical violence, Robots/androids, Surveillance |
2000168, 2000171, 200070, 2000163, 2000160, 2000169, 200056, 200051, 200052 |
Creepy, Empowering, Exciting, Hostile, Misleading, Oppressive, Overwhelming |
2000327 , 2000318 , 200097 , 200099 , 2000213 , 2000107 , 2000188 |
The Matrix (The Matrix) |
2214 |
Neo, Morpheus, Rebels, Agent Smith |
1954, 1955, 1957, 2213 |
The Martian |
2052 |
|
United Kingdom, United States |
Narrative, Movie |
20001, 2000130 |
Camera, Satellite images, Surveillance cameras, Webcams |
2000206, 200078, 200080, 2000153 |
|
|
Labour, Surveillance |
2000179, 200052 |
Empowering, Exciting, Helpful |
2000318 , 200097 , 200098 |
The Martian (Surveillance camera), The Martian (Pathfinder camera), The Martian (Satellite surveillance), The Martian (Helmet Camera) |
2146, 2147, 2131, 2132 |
Mark Watney , Mindy Park |
2050, 2130 |
The Mandalorian |
2476 |
|
United States |
Narrative, TV series or episode |
20001, 2000131 |
Facial recognition, Holograms, Non-Visible Spectrum |
20007, 20001339, 2000207 |
|
|
Companionship, Empathy, Family, Inequality, War |
200050, 2000174, 2000167, 200089, 200054 |
|
|
The Mandalorian (Reluctant facial recognition to steal data), The Mandalorian (Holographic threats) |
2807, 2809 |
Din Djarin, Valin Hess, Migs Mayfield, Moff Gideon |
2499, 2501, 2500, 2808 |
The Machine Stops |
82 |
|
United Kingdom |
Narrative, Short story |
20001, 2000134 |
Facial recognition, Object recognition, Surveillance cameras |
20007, 200015, 200080 |
|
|
Climate Change, Dystopian, Horror, Robots/androids, Surveillance |
200069, 200070, 200061, 200051, 200052 |
Helpful, Neutral |
200098 , 2000101 |
The Machine Stops (Vashti sees Kuni) |
268 |
Vashti, Kuni |
987, 988 |
The Last One |
1898 |
|
United States |
Narrative, Novel |
20001, 2000133 |
Camera, Drones, Emotion recognition, Surveillance cameras |
2000206, 200079, 200091, 200080 |
|
|
Companionship, Competition, Conflict, Dystopian, Free will, Horror, Physical violence, Social Media, Surveillance |
200050, 2000245, 200055, 200070, 2000163, 200061, 200056, 2000177, 200052 |
Creepy, Exciting, Intrusive, Oppressive, Overwhelming |
2000327 , 200097 , 2000209 , 2000107 , 2000188 |
The Last One (Reality Show) , The Last One (drone) |
1929, 1928 |
Zoo, Producers (The Last One) |
1925, 1927 |
The Last Human |
2463 |
|
United States |
Narrative, Novel |
20001, 2000133 |
AI, Emotion recognition, Machine learning, Object recognition |
2000152, 200091, 200012, 200015 |
|
|
AI, Companionship, Robots/androids |
2000168, 200050, 200051 |
Helpful |
200098 |
The Last Human (XR_935 is recognising), The Last Human (XR_935 finds a human), The Last Human (XR_935 analysing face) |
2465, 2468, 2493 |
XR_935, Emma human, Animals (The Last Human) |
2464, 2467, 2963 |
The Invisible Man |
2544 |
|
United States, Australia |
Narrative, Movie |
20001, 2000130 |
Camera, Image generation, Surveillance cameras, Webcams |
2000206, 200073, 200080, 2000153 |
|
|
Horror, Physical violence, Surveillance |
200061, 200056, 200052 |
Creepy, Dangerous, Intrusive |
2000327 , 2000129 , 2000209 |
The Invisible Man (Cecilia Paints Webcam), The Invisible Man (CCTV surveillance footage), The Invisible Man (Violent use of Invisibility) |
2541, 2542, 2543 |
Cecilia Kass, Adrian Griffin |
2539, 2540 |
The Hunger Games (series) |
589 |
|
United States |
Narrative, Movie, Novel |
20001, 2000130, 2000133 |
Augmented reality, Non-Visible Spectrum, Surveillance cameras |
200074, 2000207, 200080 |
|
|
City, Competition, Conflict, Dystopian, Nature, Physical violence, Romantic relationship, Surveillance, War |
2000311, 2000245, 200055, 200070, 2000175, 200056, 200048, 200052, 200054 |
Dangerous, Empowering, Exciting, Helpful, Hostile, Misleading, Oppressive |
2000129 , 2000318 , 200097 , 200098 , 200099 , 2000213 , 2000107 |
The Hunger Games (AR model of arena), The Hunger Games (Holo), The Hunger Games (Night Vision Glasses in Games), The Hunger Games (Ubiquitous surveillance), The Hunger Games (Night Vision Glasses for Harvesting), The Hunger Games (Night Vision Glasses in Daylight), The Hunger Games (Peeta's Camouflage), The Hunger Games (Katniss Destroys Arena) |
956, 957, 959, 961, 963, 964, 967, 968 |
Katniss Everdeen, Gamemasters (The Hunger Games), President Snow, Rue (The Hunger Games), Peeta Mellark, The Careers (The Hunger Games) |
953, 954, 955, 958, 966, 960 |
The High-Rise Diver |
2948 |
|
Germany |
Narrative, Novel |
20001, 2000133 |
Facial recognition, Surveillance cameras |
20007, 200080 |
|
|
Companionship, Inequality, Surveillance |
200050, 200089, 200052 |
Protective |
2000317 |
High-Rise Diver (Hitomi watches Riva), High-Rise Diver (Hitomi can't track Riva) |
2949, 2950 |
Riva Karnovsky, Hitomi Yoshida |
2946, 2947 |