Displaying 341 - 350 of 500
| Title | ID | Year Sort ascending | Country | Genre | Genre ID | Technologies referenced | Technologies referenced id | Technologies used | Technologies used id | Topic | Topic id | Sentiment | Sentiment id | Situation machine vision is used in | Situation machine vision is used in ID | Characters | Characters ID |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| CMYK Deep Face Dude | 75 | Canada | Art, Photograph/print/painting | 20002, 2000157 | Facial recognition | 20007 | Identity, Surveillance | 2000169, 200052 | Flawed, Misleading | 2000208 , 2000213 | CMYK Deep Face Dude (Flawed Facial Recognition) | 429 | Deep Face Dude | 2754 | |||
| The Castle Doctrine | 1454 | United States | Game | 20003 | Surveillance cameras | 200080 | Competition, Surveillance | 2000245, 200052 | Exciting, Protective | 200097 , 2000317 | The Castle Doctrine (Security footage) | 1464 | Player character (The Castle Doctrine), Burglars (The Castle Doctrine) | 1465, 1466 | |||
| Desiluciones ópticas | 1856 | Argentina | Art, Installation art | 20002, 2000138 | Camera, Motion tracking | 2000206, 2000180 | Conflict, Physical violence | 200055, 200056 | Empowering, Subversive | 2000318 , 2000210 | Desiluciones ópticas (remembering the oppressed) | 2041 | |||||
| Someone to Watch Over Me | 133 | United States | Narrative, Short story | 20001, 2000134 | Holograms, Ocular implant | 20001339, 2000127 | Conflict, Family, Romantic relationship, Surveillance | 200055, 2000167, 200048, 200052 | Intimate, Intrusive | 2000100 , 2000209 | Someone to Watch Over Me (Optical/ocular implant) | 546 | Amanda (Someone to Watch Over Me), Becky (Someone to Watch Over Me), Jake (Someone to Watch Over Me) | 545, 3154, 3155 | |||
| Lagoon | 1712 | Nigeria, United States | Narrative, Novel | 20001, 2000133 | Cameraphone | 2000154 | Animals, City, Economy, Nature | 2000200, 2000311, 2000172, 2000175 | Empowering | 2000318 | Lagoon (President is broadcast to all screens) | 1714 | Woman in the street (Lagoon) | 1713 | |||
| Glow | 1582 | United States, Netherlands, India, Austria | Art | 20002 | Facial recognition, Filtering, Image generation, Machine learning | 20007, 200013, 200073, 200012 | AI, Identity, Playful | 2000168, 2000169, 2000170 | Flawed, Fun | 2000208 , 2000212 | Glow (manipulating and generating new faces) | 1593 | |||||
| The Peripheral | 2803 | United States | Narrative, Novel | 20001, 2000133 | Ocular implant, Virtual reality | 2000127, 2000147 | Climate Change, Dystopian, Economy | 200069, 200070, 2000172 | Empowering, Exciting, Helpful | 2000318 , 200097 , 200098 | The Peripheral (Viz) | 2802 | Edward (The Peripheral) | 2801 | |||
| Drone Selfies | 159 | Italy, Germany, United Kingdom | Art | 20002 | Drones | 200079 | Autonomous vehicles, Consciousness, Identity, Utopian | 2000201, 2000171, 2000169, 200071 | Intimate | 2000100 | Drone Selfies (Drones) | 336 | |||||
| Young Ones | 108 | United States | Narrative, Movie | 20001, 2000130 | Object recognition, Surveillance cameras | 200015, 200080 | Autonomous vehicles, Climate Change, Companionship, Conflict, Crime, Family, Grief, Romantic relationship | 2000201, 200069, 200050, 200055, 200057, 2000167, 2000161, 200048 | Helpful, Neutral | 200098 , 2000101 | Young Ones (Robot recording murder) | 263 | Ernest Holm, Flem Lever, Mary Holm, Jerome Holm | 259, 260, 261, 262 | |||
| The Nostalgist | 2693 | Italy, United Kingdom | Narrative, Movie | 20001, 2000130 | AI, Biometrics, Facial recognition, Virtual reality | 2000152, 20009, 20007, 2000147 | Companionship, Conflict, Dystopian, Family, Identity, Robots/androids | 200050, 200055, 200070, 2000167, 2000169, 200051 | Flawed, Helpful, Protective | 2000208 , 200098 , 2000317 | The Nostalgist (Boy Learns Whats Real) | 2694 | The Man, The Boy | 2691, 2692 |