Displaying 381 - 390 of 500
| Title | ID Sort ascending | Year | Country | Genre | Genre ID | Technologies referenced | Technologies referenced id | Technologies used | Technologies used id | Topic | Topic id | Sentiment | Sentiment id | Situation machine vision is used in | Situation machine vision is used in ID | Characters | Characters ID |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| You•Who? Customised Cinema Installation | 510 | Ireland | Narrative, Movie | 20001, 2000130 | Facial recognition, Image generation | 20007, 200073 | Emotion recognition, Facial recognition, Image generation, Webcams | 200091, 20007, 200073, 2000153 | Dystopian, Free will, Identity | 200070, 2000163, 2000169 | Alien, Dangerous, Hostile, Intimate, Intrusive, Overwhelming | 200096 , 2000129 , 200099 , 2000100 , 2000209 , 2000188 | Who*You (Face replacement) | 509 | Replaced man | 1732 | |
| Ayo Technology | 504 | United States | Narrative, Music video | 20001, 2000316 | Augmented reality, MicroscopeOrTelescope, Non-Visible Spectrum, Object recognition | 200074, 2000195, 2000207, 200015 | Inequality, Sex, Surveillance | 200089, 200053, 200052 | Empowering, Exciting, Helpful, Intrusive, Oppressive | 2000318 , 200097 , 200098 , 2000209 , 2000107 | Ayo Technology (50 Cent spying using telescope), Ayo Technology (Timbaland spies on women) | 503, 505 | "Timbaland", "50 Cent", Sexy woman (Ayo Technology) | 792, 793, 3084 | |||
| A View to a Kill | 495 | United Kingdom | Narrative, Movie | 20001, 2000130 | Camera, Facial recognition | 2000206, 20007 | Crime, Physical violence | 200057, 200056 | Empowering, Hostile, Intrusive, Protective | 2000318 , 200099 , 2000209 , 2000317 | A View to a Kill (Bond`s identity revealed) | 494 | James Bond (Roger Moore), Max Zorin | 492, 493 | |||
| Security Cameras | 473 | United States | Narrative, Music video | 20001, 2000316 | Surveillance cameras | 200080 | Crime, Surveillance | 200057, 200052 | Empowering, Helpful, Protective | 2000318 , 200098 , 2000317 | Security Cameras (Surveillance cameras) | 472 | "Casino", Gangsters (Security Cameras) | 773, 2838 | |||
| Spider Man: Far From Home | 463 | United States | Narrative, Movie | 20001, 2000130 | AI, Augmented reality, Biometrics, Cameraphone, Deepfake, Drones, Motion tracking | 2000152, 200074, 20009, 2000154, 200072, 200079, 2000180 | AI, Autonomous vehicles, Conflict, Family, Identity, Physical violence, Romantic relationship | 2000168, 2000201, 200055, 2000167, 2000169, 200056, 200048 | Dangerous, Empowering, Exciting, Hostile, Misleading, Wondrous | 2000129 , 2000318 , 200097 , 200099 , 2000213 , 2000325 | Spiderman: Far From Home (Drones creating superhero illusion), Spiderman: Far from Home (Augmented reality), Spiderman: Far from Home (Deepfake of Nick Fury) | 462, 465, 466 | Mysterio, Peter Parker | 461, 464 | |||
| Iron Man | 454 | United States | Narrative, Movie | 20001, 2000130 | Augmented reality, Non-Visible Spectrum | 200074, 2000207 | Conflict, Hacking, Inequality, Physical violence, Robots/androids, War | 200055, 2000160, 200089, 200056, 200051, 200054 | Empowering, Helpful, Neutral, Protective | 2000318 , 200098 , 2000101 , 2000317 | Iron Man (AR alarm clock), Iron Man (Augmented Reality_a), Iron Man (Combat scene - AR identifies civilians) | 456, 457, 458 | Tony Stark, Jarvis, Woman in Tony Stark's bedroom | 453, 455, 661 | |||
| Machines Like Me | 432 | United Kingdom | Narrative, Novel | 20001, 2000133 | AI | 2000152 | AI, Competition, Crime, Economy, Family, Identity, Physical violence, Robots/androids, Romantic relationship, Sex | 2000168, 2000245, 200057, 2000172, 2000167, 2000169, 200056, 200051, 200048, 200053 | Alien, Exciting | 200096 , 200097 | Machines Like Me (AI) | 436 | Charlie Friend, Adam, Miranda | 435, 434, 433 | |||
| Grief | 423 | United States | Narrative, Music video | 20001, 2000316 | Non-Visible Spectrum | 2000207 | Conflict, Grief | 200055, 2000161 | Alien | 200096 | Grief (Rapper filmed in infrared) | 422 | "Earl Sweatshirt" | 421 | |||
| Why Him? | 417 | United States | Narrative, Movie | 20001, 2000130 | AI, Cameraphone, Facial recognition, Object recognition, Surveillance cameras | 2000152, 2000154, 20007, 200015, 200080 | Family, Romantic relationship | 2000167, 200048 | Alien, Exciting, Neutral | 200096 , 200097 , 2000101 | Why Him? (Stephanie scans her face) | 416 | Stephanie Flemming, The Flemming Family | 418, 804 | |||
| Years and Years | 413 | United Kingdom | Narrative, TV series or episode | 20001, 2000131 | AI, Augmented reality, Drones, Filtering, Ocular implant, Virtual reality, Webcams | 2000152, 200074, 200079, 200013, 2000127, 2000147, 2000153 | Conflict, Dystopian, Family | 200055, 200070, 2000167 | Dangerous, Exciting, Flawed, Fun, Helpful, Intimate, Overwhelming | 2000129 , 200097 , 2000208 , 2000212 , 200098 , 2000100 , 2000188 | Years and Years (Bethany hiding behind filter), Years and Years (Failed optical implant), Years and years (Broadcast deepfake issue), Years and years (Webcam diagnosing Edith`s eye) | 412, 414, 488, 490 | Bethany Bisme-Lyons, Celeste Bisme-Lyons, Lizzie, Vivienne Rook, Edith Lyons, Daniel Lyons, Stephen Lyons | 411, 981, 419, 660, 489, 2720, 982 |