Displaying 421 - 430 of 500
| Title | ID Sort ascending | Year | Country | Genre | Genre ID | Technologies referenced | Technologies referenced id | Technologies used | Technologies used id | Topic | Topic id | Sentiment | Sentiment id | Situation machine vision is used in | Situation machine vision is used in ID | Characters | Characters ID |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Satellite Images | 218 | Narrative, Creepypasta | 20001, 2000136 | Camera, Satellite images, Interactive panoramas | 2000206, 200078, 2000155 | Horror, Surveillance | 200061, 200052 | Dangerous, Fun | 2000129 , 2000212 | Satellite Images (Followed on Google Maps) | 548 | Narrator (Satellite Images), Google Maps Girl (Satellite Images) | 917, 918 | ||||
| The Virtual Watchers | 217 | Spain | Art, Online art | 20002, 2000159 | Surveillance cameras | 200080 | Conflict, Inequality, Race, Social Media, Surveillance | 200055, 200089, 2000166, 2000177, 200052 | Oppressive | 2000107 | The Virtual Watchers (Surveilling the border) | 244 | Immigrant group (The Virtual Watchers) | 710 | |||
| THE GOOGLE TRILOGY – 3.The Driver and the Cameras | 216 | Italy, United States | Art, Photograph/print/painting | 20002, 2000157 | Interactive panoramas | 2000155 | Automation, Labour | 2000173, 2000179 | Flawed, Intimate | 2000208 , 2000100 | THE GOOGLE TRILOGY – 3.The Driver and the Cameras (Capturing the Driver) | 318 | Google Driver | 714 | |||
| MegaPixels: Faces | 213 | United States, Germany | Art, Installation art | 20002, 2000138 | Facial recognition, Machine learning | 20007, 200012 | AI, Identity, Surveillance | 2000168, 2000169, 200052 | Intimate, Intrusive, Subversive | 2000100 , 2000209 , 2000210 | MegaPixels: Faces (Matching faces) | 258 | |||||
| Autonomous Trap 001 | 212 | United Kingdom | Art, Video art, Performance art | 20002, 2000139, 2000140 | Machine learning, Object recognition | 200012, 200015 | AI, Autonomous vehicles, Hacking | 2000168, 2000201, 2000160 | Flawed | 2000208 | Autonomous Trap 001 (Trapping a Self-Driving Car) | 300 | |||||
| 10.000 Moving Cities – Same but Different, VR | 210 | Switzerland | Art, Installation art | 20002, 2000138 | Cameraphone, Webcams | 2000154, 2000153 | Virtual reality | 2000147 | City, Social Media | 2000311, 2000177 | Overwhelming | 2000188 | 10.000 Moving Cities – Same but Different (Social Media Cities in Virtual Space) | 322 | |||
| DELIVERY FOR MR. ASSANGE | 208 | Switzerland, United Kingdom | Art, Online art | 20002, 2000159 | Webcams | 2000153 | Conflict, Hacking, Social Media | 200055, 2000160, 2000177 | Flawed, Intimate, Subversive | 2000208 , 2000100 , 2000210 | DELIVERY FOR MR. ASSANGE (Webcam Post) | 323 | "Mr. Assange" | 750 | |||
| U | 206 | South Korea, United States | Art, Installation art | 20002, 2000138 | AI, Machine learning, Surveillance cameras | 2000152, 200012, 200080 | AI, Automation, City, Labour, Surveillance | 2000168, 2000173, 2000311, 2000179, 200052 | Alien, Intimate, Intrusive, Oppressive, Overwhelming | 200096 , 2000100 , 2000209 , 2000107 , 2000188 | U (Reenacting the Control Room) | 522 | Call (U), Rita (U), Alex (U), Therapist (U) | 521, 524, 523, 759 | |||
| deus X mchn | 203 | Russia | Art, Installation art | 20002, 2000138 | Machine learning, Surveillance cameras | 200012, 200080 | Machine learning, Surveillance cameras | 200012, 200080 | AI, Hacking, Surveillance | 2000168, 2000160, 200052 | Alien, Flawed, Hostile, Intrusive | 200096 , 2000208 , 200099 , 2000209 | deus X mchn (Haunted surveillance cameras) | 525 | |||
| Nineteen Eighty-Four | 202 | United Kingdom | Narrative, Novel | 20001, 2000133 | Surveillance cameras | 200080 | Dystopian, Surveillance, War | 200070, 200052, 200054 | Hostile, Oppressive | 200099 , 2000107 | Nineteen Eighty-Four (Surveillance cameras) | 243 | Winston Smith | 241 |