| The Last One |
|
United States |
Alexandra Olivia |
Narrative, Novel |
Camera, Drones, Emotion recognition, Surveillance cameras |
| The Last Human |
|
United States |
Lee Bacon |
Narrative, Novel |
AI, Emotion recognition, Machine learning, Object recognition |
| The Invisible Man |
|
United States, Australia |
Leigh Whannell |
Narrative, Movie |
Camera, Image generation, Surveillance cameras, Webcams |
| The Hunger Games (series) |
|
United States |
Suzanne Collins |
Narrative, Movie, Novel |
Augmented reality, Non-Visible Spectrum, Surveillance cameras |
| The High-Rise Diver |
|
Germany |
Julia von Lucadou |
Narrative, Novel |
Facial recognition, Surveillance cameras |
| THE GOOGLE TRILOGY – 3.The Driver and the Cameras |
|
Italy, United States |
Vavarella Emilio |
Art, Photograph/print/painting |
|
| The Flower of Shazui |
|
China |
Chen Qiufan |
Narrative, Short story |
Augmented reality, Body scans, Facial recognition |
| The Final Cut |
|
Lebanon, United States |
Omar Naim |
Narrative, Movie |
Facial recognition, Ocular implant |
| The Expanse |
|
United States |
James S.A. Corey, Naren Shankar |
Narrative, TV series or episode |
AI, Augmented reality, Body scans, Holograms, Ocular implant, Satellite images, Surveillance cameras |
| The Coded Gaze: Unmasking Algorithmic Bias |
|
United States, Ghana |
Joy Buolamwini |
Art, Video art |
Facial recognition, Machine learning |
| The Circle |
|
United States |
James Ponsoldt, Dave Eggers |
Narrative, Movie |
Augmented reality, Biometrics, Body scans, Cameraphone, Drones, Facial recognition, Satellite images, Surveillance cameras, Webcams |
| The Cell |
|
France |
Gojira |
Narrative, Music video |
Body scans, Surveillance cameras |
| The Cat Returns |
|
Japan |
Studio Ghibli |
Narrative, Movie |
Surveillance cameras |
| The Castle Doctrine |
|
United States |
Jason Rohrer |
Game |
Surveillance cameras |
| The Battle of Ilovaisk |
|
United Kingdom |
Forensic Architecture |
Art |
|
| The Avengers |
|
United States |
Joss Whedon, Marvel |
Narrative, Movie |
Augmented reality, Biometrics, Camera, Facial recognition, Machine learning, Surveillance cameras |
| The Argus Project |
|
United States |
Romi Ron Morrison, Gan Golan, Raquel De Anda, Ligaiya Romero, Ayodamola Tanimowo Okunseinde, Yvette King, Julien Terrell, Pierre Mendy |
Art, Video art, Installation art |
Cameraphone, Surveillance cameras |
| The Addams Family |
|
United States |
Greg Tiernan |
Narrative, Movie |
Surveillance cameras |
| Terra Mars |
|
China |
SHI Weili |
Art, Video art |
|
| Terminator 2 |
|
United States |
James Cameron |
Narrative, Movie |
Augmented reality, Emotion recognition, Facial recognition, Filtering, Object recognition |
| TendAR |
|
United States |
Samantha Gorman, Tender Claws |
Game |
Emotion recognition, Machine learning, Object recognition |
| Temple |
|
Canada |
Nguyen-Anh Nguyen |
Narrative, Movie |
Augmented reality, Biometrics, Ocular implant |
| Technotise: Edit & I |
|
Serbia |
Aleksa Gajic, Nebojsa Andric, Stevan Djordjevic |
Narrative, Movie |
Augmented reality, Body scans, Object recognition, Surveillance cameras |
| Technobabylon |
|
United Kingdom |
Technocrat Games |
Game |
AI, Augmented reality, Biometrics, Drones, Machine learning, Surveillance cameras, UGV, Virtual reality |
| Tacoma |
|
United States |
Fullbright |
Game |
AI, Augmented reality, Biometrics, Holograms, Motion tracking |
